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^ Free PDF The Carolingian World (Cambridge Medieval Textbooks), by Marios Costambeys, Matthew Innes, Simon MacLean

Free PDF The Carolingian World (Cambridge Medieval Textbooks), by Marios Costambeys, Matthew Innes, Simon MacLean

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The Carolingian World (Cambridge Medieval Textbooks), by Marios Costambeys, Matthew Innes, Simon MacLean

The Carolingian World (Cambridge Medieval Textbooks), by Marios Costambeys, Matthew Innes, Simon MacLean



The Carolingian World (Cambridge Medieval Textbooks), by Marios Costambeys, Matthew Innes, Simon MacLean

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The Carolingian World (Cambridge Medieval Textbooks), by Marios Costambeys, Matthew Innes, Simon MacLean

At its height, the Carolingian empire spanned a million square kilometres of western Europe - from the English Channel to central Italy and northern Spain, and from the Atlantic to the fringes of modern Hungary, Poland and the Czech Republic. As the largest political unit for centuries, the empire dominated the region and left an enduring legacy for European culture. This comprehensive survey traces this great empire's history, from its origins around 700, with the rise to dominance of the Carolingian dynasty, through its expansion by ruthless military conquest and political manoeuvring in the eighth century, to the struggle to hold the empire together in the ninth. It places the complex political narrative in context, giving equal consideration to vital themes such as beliefs, peasant society, aristocratic culture and the economy. Accessibly written and authoritative, this book offers distinctive perspectives on a formative period in European history.

  • Sales Rank: #1162632 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2011-06-20
  • Released on: 2011-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.06" w x 5.43" l, 1.45 pounds
  • Binding: Paperback
  • 528 pages
Features
  • Used Book in Good Condition

Review
"This book is to be welcomed. It is the Carolingian synthesis for a new generation; everyone from students to established academics will need to read it. It is highly sensitive to the transformation of approaches of the last generation of political/cultural historians, and it moves seamlessly into a welcome new analysis of the non-aristocratic majority as well."
Chris Wickham, Chichele Professor of Medieval History, University of Oxford

"Costambeys, Innes and Maclean are to be commended for having fulfilled their task [to provide a new synthesis taking into account the insights of the most recent scholarship] admirably, surveying and synthesising a vast body of source material and scholarship and presenting it with elegance and clarity ... heartily to be recommended as a one-volume introduction for students and a useful work of reference for seasoned scholars."
Shami Ghosh, Reviews in History (history.ac.uk/reviews)

"Costambeys, Innes, and MacLean have provided an accessible and up-to-date survey to specialists and students of the period, as well as to interested lay readers."
Hans J. Hummer, H-Net Reviews (h-net.org)

About the Author
Marios Costambeys is Senior Lecturer in the School of History at the University of Liverpool. His previous publications include Power and Patronage in Early Medieval Italy: Local Society, Italian Politics and the Abbey of Farfa, c.700-900 (Cambridge University Press, 2007).

Matthew Innes is Professor of History at Birkbeck, University of London. His previous publications include State and Society in the Early Middle Ages: The Middle Rhine Valley, 400-1000 (Cambridge University Press, 2000).

Simon MacLean is Senior Lecturer in the School of History at the University of St Andrews. His previous publications include Kingship and Politics in the Late Ninth Century: Charles the Fat and the End of the Carolingian Empire (Cambridge University Press, 2003).

Most helpful customer reviews

1 of 17 people found the following review helpful.
Pasternak in Color
By R. Ahmanson
What can I say?? I saw the movie when it first came out and swept the world with its music and its grandeur and its pathos. I even bought a Russian style coat as did so many of my peers because of it. Seeing it 40 years later for the first time, I knew what drew me in at the first. There is the visual pull, but there is also the pull of the characters. Julie Christie is perhaps the strongest of them all and the most believable. At times the sentimentality verges on the overwhelming, but in the end you feel the tragedy of the Russian Revolution. Much more was destroyed than was gained, if much of anything was gained. Since I first saw the movie, I have traveled to Russia and read much history. Still, Pasternak captured something of the time. And, the move captures Pasternak.

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