Minggu, 30 November 2014

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Fortissimo! is a key stage 4 music course to fit the initiatives of the national curriculum with performing, composing, listening and appraising being an integral part. The material in the Fortissimo! Student's Book covers a wide variety of music from the 13th century to the 1990s and offers the chance to study musical styles and instruments from a variety of cultures. At regular intervals throughout the book, there are double-page colour spreads displaying fascinating visual stimulus material to spark off original ideas for composing and improvising.

  • Sales Rank: #1566713 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1996-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.63" h x .55" w x 8.54" l, 1.56 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

About the Author
Roy Bennett, his father, was a British merchant seaman from 1944 to 1948 and a lecturer at the University of Derby. Roy Bennett also coauthor of Survivors: British Merchant Seamen in the Second World War.

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Kamis, 27 November 2014

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This Companion provides an authoritative account of modern German culture since the onset of industrialization, the rise of mass society and the nation state. Newly written and researched by experts in their respective fields, individual chapters trace developments in German culture--including national identity, class and race issues and the arts--from the nineteenth century to the present. There is a chronology and guide to further reading. Overall, the Companion offers an invaluable guide to the political and social processes that shaped modern Germany.

  • Sales Rank: #1575746 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1999-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .87" w x 5.98" l, 1.41 pounds
  • Binding: Paperback
  • 392 pages
Features
  • Used Book in Good Condition

Review
"This book is informative, topically comprehensive, well researched, and clearly written. It may serve as a useful reference work to the modern German culture scene, or it may be adopted as a text book for a course in German Culture and Civilization... Charlotte M. Craig, Germanic Notes and Reviews

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0 of 0 people found the following review helpful.
Germany as an assortment of memes that have scared the h--- out of some people, sold books for some and will puzzle your kid ..
By Marco Buendia
This book is a series of essays on various facets of German culture, post-Bismarck. Written by academics, mostly but not exclusively from the UK. Some titles:

Critiques of culture

The functions of "Volkskultur", mass culture and alternative culture

German cinema

German national identity

So, you can see, not for the local high school AP classes in German or World History. If they'd only said "German MOVIES". But "cinema"? You know it'll be something that can't compete with the X-pad and the smartfone right there.

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Good Book
By Ali G
This was a very well crafted history lesson of Germany and its robust evolution. It enriched my appreciation for the Germanic culture.

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  • Sales Rank: #13003174 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1996-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.02" w x 5.98" l, 1.50 pounds
  • Binding: Paperback
  • 468 pages
Features
  • Used Book in Good Condition

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  • Sales Rank: #3006726 in Books
  • Published on: 2000-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .63" w x 7.44" l, 1.19 pounds
  • Binding: Paperback
  • 300 pages

Review
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Father of the Poor?: Vargas and his Era (New Approaches to the Americas), by Robert M. Levine

This book examines the life and times of Getúlio Vargas, Brazilian dictator and president for most of the period from 1930 to 1954. It asks how Vargas' legacy influenced Brazil, and to what extent his social legislation affected people's lives. Vargas ignored individual rights and devoted as much effort to manipulating workers as to benefiting them. He did not perceive the unequal distribution of power as a problem that needed to be solved. Although Vargas promised much and delivered little, Brazilians idolized him. Ordinary people would shrug and say, "The President always thought about us."

  • Sales Rank: #1053999 in Books
  • Brand: Brand: CAMBRIDGE UNIVERSITY PRESS
  • Published on: 1998-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .43" w x 5.98" l, .68 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Used Book in Good Condition

Review
"Father of the Poor is a compelling portrait of contemporary Brazil drawn from Brazilian archives, Vargas's personal diary of and suicide note, oral history testimony and photography, as well as recent Brazilian and non-Brazilian social history, anthropological and sociological scholarship." Michael LaRosa, H-Net Reviews

"Levine provids a good picture of the extension of government social services under Vargas. The volume also has an excellent set of photographs and reprints interesting contemporary documents." Journal of Interdisciplinary History

"...concise yet lively overview of the legacy of Vargas's government and the significance of his social policies. Levine's analysis moves adroitly between the voices of workers and their views of events and the musings of Brazil's most influential political, economic, and cultural leaders in the 1900s." Peter M. Beattie, Latin American Research Review

"...a concise yet lively overview of the legacy of Vargas's government and the significanceof his social policies. Levine's analysis moves adroitly between the voices of workers and thier views of events and the musing of Brazil's most influential political, economic, and leaders in the 1900s." Peter M. Beattie, Latin American

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0 of 0 people found the following review helpful.
A Glimpse of Brazil's recent past
By Great Pyr
Interesting biography of a powerful Brazilian Dictator. Covers his background & his rather eccentric policies. It's to often hard to find in depth information about South American countries and this book gives you a quick over view of Brazil in the early first part of the 20th century. I'd have liked more information, but I've at least improved my knowledge of Vargas

1 of 2 people found the following review helpful.
One could do worse, one could do much better
By Otavio Maia Chelotti
The book is a rather slim political biography of Getulio Vargas, undoubtedly the most important politician of the Brazilian 20th century. Not only did he stay in power for almost 19 years, but his legacy dominated Brazilian politics after his death. One defined oneself politically as to the extent of how one embraced this legacy. The very fact that Fernando Henrique Cardoso, in the 90s, felt obliged to say explicitly that Vargas was "history" points to that.

Returning to the book, it is, as mentioned before, rather short and therefore introductory. It contains an useful chronology and an annotated bibliography (English-language titles only), as well as a small sourcebook, uneven in quality and relevance. It is clearly intended as an introductory book for undergraduate use.

Unfortunately, as books by Brazilianists go by, it is more riddled with bloopers and factual mistakes than usual. A few examples might suffice: In a context describing Brazil in 1950, when Vargas returned to power, he mentions that "government-owned Petrobras controlled oil refining". In fact, Petrobras was created by Vargas in 1953 (as the author correctly notes in the chronology). Or "from 60 to 65 per cent of all Northeasterners were living below the poverty line in 1994; the figure may have been double that in earlier decades"-which is of course a mathematical impossibility. Or "by the 1980s, when all Brazilians over sixteen were required to vote" (with sixteen in italics for emphasis), while actually voting is obligatory only after 18. From 16 to 18, you are allowed to vote. And so on and so on...

Nevertheless, the real problem with the book is deeper. It implies that Vargas was a failure because a) he did not do all that he set out to do; b) he committed suicide to avoid being deposed; and c) he did not really care for the "poor and downtrodden" . As for a), the standard is impossibly high. No one, let alone politicians, would ever be able to achieve it. As for b) it is actually irrelevant and, as regards c), the whole point is that he cared enough. This reflects anachronistic thought, and a failure to conceptualize properly the constraints under which Vargas labored, even though Levine does lay out the facts in the book. Brazil, in 1930, was an agrarian society with some light industry, By 1954, although agriculture was still extremely important, there was a significant industrial sector, including heavy industry and machinery. At the same time, a comprehensive social security and labour protection net had been created, which still forms the basis of present-day legislation.It may not have reached everyone, but what was important was the principle. So, in fact, Vargas did play an important role in transforming the country. Another point he fails to take into account properly is the fact that Brazil was a poor country. It may sound heartless to say so, but the truth is that there was not enough capital during his lifetime to invest heavily both in the physical infrastructure necessary for economic development and in comprehensive social development. Some sort of compromise was necessary and, while one can dispute if Vargas' approach was the best, it is rather unfair to accuse him of not trying to do the impossible.

0 of 0 people found the following review helpful.
Five Stars
By Peter Cunha
We like this book we learn few new thing about Getulio Vargas.

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# Free Ebook Mural Painting and Social Revolution in Mexico, 1920-1940: Art of the New Order, by Leonard Folgarait

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Mural Painting and Social Revolution in Mexico, 1920-1940: Art of the New Order, by Leonard Folgarait

Mural Painting and Social Revolution in Mexico, 1920-1940 is the first full-length account of this major movement in the history of Modernism. Following the Revolution of 1910, Mexican society underwent a profound transformation in every sector of political and cultural life. Mexican artists participated in this social revolution during a vital two-decade period through public art programmes funded by the government and other institutions. Applying a social-historical methodology, Leonard Folgarait examines this phenomenon and focuses on the mural paintings of Diego Rivera, José Orozco, and David Siqueiros produced during this period. He provides an indepth analysis of the form and meaning of these mural cycles, while documenting the system of patronage, the critical connections between state policy and aesthetics, and the visual strategies devised by patrons and artists in order to maximise the impact of these propagandistic images.

  • Sales Rank: #5546512 in Books
  • Published on: 1998-06-28
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.98" h x .94" w x 8.46" l,
  • Binding: Hardcover
  • 288 pages

Review
'... this book offers a compelling answer to the question of just how the deeply anarchic works of Rivera and Siqueiros could have ended up on the walls of buildings which - like Mexico City's National Palace - were the embodiment of repressive governmental order.' The Times Literary Supplement

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0 of 0 people found the following review helpful.
Five Stars
By elena malo de mancino
It was really useful for my research

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Minggu, 23 November 2014

! Fee Download John Huston's Filmmaking (Cambridge Studies in Film), by Lesley Brill

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John Huston's Filmmaking (Cambridge Studies in Film), by Lesley Brill

John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection among humanity, the natural world, and divinity.

  • Sales Rank: #3144006 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1997-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .63" w x 5.98" l, .90 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
'In this thoughtful study Brill accounts for Huston's critical neglect by pointing the finger squarely at 50s and 60s auteur critics ...'. Sight and Sound

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1 of 1 people found the following review helpful.
A fitting case for Huston as an auteur
By Adam Zanzie
Professor Brill's deeply analytical study of about 12 or so of Huston's greatest films was an invaluable study aid for me when I launched a "John Huston Blogathon" in August of 2010. Huston is without question one of the greatest of all American filmmakers, and yet it's always been difficult to make a case for him as an artist, as an intellectual, etc.

Brill's book, written in the 1990's, was only the first book to ever really consider the prospect of Huston as an auteur, so it's quite understandable how Brill only covers a dozen of the master's works. There are certain important titles I wish Brill had covered, such as The Asphalt Jungle (1950), The Life and Times of Judge Roy Bean (1972), Wise Blood (1979), Under the Volcano (1984) and Prizzi's Honor (1985), but perhaps those titles weren't as highly regarded back then as they are today.

The book itself is fantastic. Brill has done a better job than anyone else in evaluating what makes films like Maltese Falcoln, Let There Be Light, Treasure of the Sierra Madre, The Misfits, Fat City and The Man Who Would Be King so brilliant. The chapter on The Dead is particularly beautiful, and helped me appreciate that painfully-unrecognized masterpiece even more.

All in all, Professor Brill's book is an essential stepping stone in understanding what made Huston an artist. Now I'm eagerly waiting for some brave soul to write a comprehensive biography of this great director! Anyone wanna step up to the plate?

0 of 0 people found the following review helpful.
A good approach
By Dr René Codoni
Lesley Brill: John Huston's Filmmaking (Cambridge Studies in Film), 1997

>>>>>John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection among humanity, the natural world, and divinity. >>>>>Publisher's Book Description

Not only in John Huston's case, biographies and autobiographies tend to go for "all" - all the movies, all the marriages, all the awards. This aiming at one hundred percent often misses the target altogether: facts tend to stifle analysis, the bag gets full, but the magic is gone. Not, mind you, because we now know all, but because we suffocated the creative and artistic components, which lend themselves more to an analytical than to a narrative approach.

Lesley Brill avoids this trap - he never even bothers to explain why he does not cover all films. But what we get is substantial analysis, non-chronological, and the "humanity" and "divinity" spoken of at the end of the Publisher's book description does not really interfere with the reader's own conclusions. A book you open again and again, because it remains stimulating as it captures more of the man than many bigger tomes do.

fbus58 - Brill-Huston (1997) - 6/9/2021

0 of 1 people found the following review helpful.
Interesting, but not enough details
By Ania Peter
Good all in all. But I hoped for information on "Beat the Devil"'s first tske. Who sencored it? None the like there. So I could have gotten the information online, not buying a bulky book.

Cheers, Ania

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Jumat, 21 November 2014

## Ebook Download Gershwin: Rhapsody in Blue (Cambridge Music Handbooks), by David Schiff

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Gershwin: Rhapsody in Blue (Cambridge Music Handbooks), by David Schiff

The Rhapsody in Blue (1924) established Gershwin's reputation as a serious composer and has since become one of the most popular of all American concert works. In this richly informative guide David Schiff considers the piece as musical work, historical event and cultural document. He traces the history of the Rhapsody's composition, performance and reception, placing it within the context of American popular song and jazz and the development of modernism. He also provides a full account of the different published and recorded versions of the work and explores the many stylistic sources of Gershwin's music.

  • Sales Rank: #1329403 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1997-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .31" w x 5.43" l, .40 pounds
  • Binding: Paperback
  • 125 pages
Features
  • Used Book in Good Condition

Review
'... the big value of this small book lies in its persuasive advocacy. Gershwin's Rhapsody in Blue stimulates thought on the social and even philosophical import of crossover music, enabling us to see the piece for what it was and might be ... fuels speculation on the relationship between music and liturgy, and perhaps between dance and song ... of practical relevance to any performance one may experience.' The Musical Times

'... a most convincing interpretation of this surprisingly complex work and provides a welcome and stimulating addition to the Cambridge handbook series'. Music and Letters

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17 of 17 people found the following review helpful.
Informative and Interesting
By Amazon Customer
The Cambridge Music Handbooks try to do what is rarely done-- bridge the gap between the dilettante "light" style of books on music that are written for the "general public" the esoteric style of heavy musicological writing. A noble pursuit, but one that runs the risk of pleasing no one rather than achieving a happy medium. Having read several of the Cambridge Music Handbooks, this one stands out as being one of the more successful. I especially enjoyed the discussion of the history of the forms which the Rhapsody in Blue has appeared ("jazzy" versions versus "classical" renditions), as well as the background of the work's first performance in Aeolian Hall in 1924. At times, the book tends towards the more "musicological" style, but all in all, it remains accessible and interesting to anyone interested in music. Schiff's style throughout is engaging and witty. If this is a piece of music you are looking to explore further, I highly recommend this book.

1 of 1 people found the following review helpful.
Stunning
By Steve Schwartz, Austin
This will probably remain the standard analysis of Rhapsody in Blue for a long time to come. Its terminology has already become standard in other studies. David Schiff, a wonderful composer himself, takes us to a microscopic look under the hood of this monument of American music. It requires the ability to read music, but if you do, the old war-horse, the Rhapsody, will amaze you with all the life in it.

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I was having trouble finding a good bio on George Gershwin and now I have it
By Regina Winkler
Rhapsody in Blue being one of my all time favorites and now this book on George Gershwin is one of my all time favorites that I tell everyone about. I was having trouble finding a good bio on George Gershwin and now I have it! From learning how he blamed his headaches on his doomed love for Paula Pound, Charlie Chaplins wife and went to psychologists as a result. This ultimately became the aggressive brain which killed him at 38 far too young. So glad to have found this bio by David Schiff when local bookstores shamelessly cannot seem to put anything out for a composer earlier than the 70s.

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Women Writers and the Early Modern British Political TraditionFrom Brand: Cambridge University Press

This collection of essays studies political writings by women from 1400 to 1800, and moves beyond the much more common discussion of women's literary works, political roles, or the operation of gender in politics generally. The book has a novel, dual purpose: to focus on women's political writings during a period when women were discouraged from expressing political thoughts, and to analyze how the intellectual and social institutions of the age directed both women's political (or nonpolitical) existence and their ability to express, and to have heard by others, their political opinions.

  • Sales Rank: #5592169 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1998-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.06" w x 5.98" l, 1.69 pounds
  • Binding: Hardcover
  • 408 pages
Features
  • Used Book in Good Condition

Review
...this is an excellent collection..." Ruth Perry, American Historical Review

"I heartily recommend this book. it will be of interest to students and scholars in early modern history, poltical theory, and literature, and to feminists interested in the history of feminism." Jane Donaworth, Sixteenth Century Journal

"...this valuable collection suggests powerfully the enormous variety of European women's political activities and arguments before the francise." Paula McDowell, Albion

"...this volume is essential reading for those who want to come to terms with the ways in which gender factors into the politics or early modern England." Canadian Journal of Political Science

About the Author
Hilda L. Smith is Professor of History at the University of Cincinnati. She is the author of Reason s Disciples: Seventeenth-Century English Feminists (1982) and two edited volumes, Women Writers and the Early Modern British Political Tradition (1998) and Women's Social and Political Thought: An Anthology (2000), coedited with Berenice Carroll.

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0 of 0 people found the following review helpful.
From a student of history
By Shawn D Payne
Doctor Smith has a keen grasp of the subject matter which allowed her to combine others and her work into an interesting book. This work allows the reader to gain a new insight into the different views on women's history and history in general. Furthermore, I found her to be an even better instructor than author and enjoyed the learning and time I spent with her at the University of Cincinnati. I encourage those who can attend her lectures to do so and those who cann't to read this work and her others.

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The Cambridge Companion to George Bernard Shaw is an indispensable guide to one of the most influential and important dramatists of the theater. The volume offers a broad-ranging study of Shaw with essays by a team of leading scholars. The Companion covers all aspects of Shaw's drama, focusing both on the political and theatrical context, while the extensive illustrations showcase productions from the Shaw Festival in Canada. In addition to situating Shaw's work in its own time, the Companion demonstrates its continuing relevance, and applies some of the newest critical approaches.

  • Sales Rank: #11905528 in Books
  • Published on: 1998-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.18" w x 5.98" l, .16 pounds
  • Binding: Hardcover
  • 375 pages

Review
"...eminently suitable for all academic libraries--undergraduate, graduate, and research." Choice

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7 of 9 people found the following review helpful.
A great literary companion
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This book is a guide to Mozart's six most famous string quartets, dedicated to his friend, Joseph Haydn. In addition to providing a full synopsis of each quartet this book examines the music in relation to Mozart's earlier quartets, considers the genesis of these six pieces and charts their reception through a broad range of sources: letters and diary entries, contemporary criticism and early biographies.

  • Sales Rank: #2324979 in Books
  • Published on: 1998-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .28" w x 5.43" l, .32 pounds
  • Binding: Paperback
  • 116 pages

About the Author
Julian Rushton is Emeritus Professor of Music at the University of Leeds (UK) and Chairman of the Editorial Committee of Musica Britannica.

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