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Poetry as Performance: Homer and Beyond, by Gregory Nagy
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This book is a comparative study of oral poetics in literate cultures, focusing on the problems of textual fluidity in the transmission of Homeric poetry over half a millennium, from the Archaic through the Hellenistic periods of ancient Greece. It stresses the role of performance and the performer in the re-creative process of composition-in-performance. It addresses questions of authority and authorship in the making of oral poetry, and it examines the efforts of ancient scholars to edit a definitive text of the "real" Homer.
- Sales Rank: #2407590 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1996-01-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .59" w x 5.43" l, .70 pounds
- Binding: Paperback
- 268 pages
- Used Book in Good Condition
Review
"In this technical yet clear book, Nagy explores how the Homeric poems, stemming from an oral tradition that can be traced to the middle of the second millenium BCE, became the written texts of today....Rich in detail, knowledge and scope, Nagy's book (the culmination of years of work) offers a lucid, well-argued approach to these problems. It will interest not only specialists in ancient Greek poetry, but anyone concerned with oral traditions." P. Nieto, Choice
From the Back Cover
With Homeric poetry, it is argued that no single definitive text could evolve until the oral traditions in which the epic was grounded became obsolete. In the watershed era of Aristarchus, around 150 BC, the gradual movement from relatively more fluid to more rigid stages of Homeric transmission reached a near-final point of textualization.
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