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The Outlaw Legend: A Cultural Tradition in Britain, America and Australia, by Graham Seal
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Highwaymen, badmen and bushrangers, both mythical and historical, have been part of folklore for centuries. Remembered and recreated through song, stories and film, this cultural tradition has been remarkably resilient across time and place. Graham Seal shows that these famous "social bandits" share many characteristics, particularly as anti-authority figures, and are best understood within class, ethnic and national struggles. From Robin Hood to outlaws in cyberspace, this book is an important study for folklorists.
- Sales Rank: #1784348 in Books
- Published on: 1996-07-13
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .59" w x 5.98" l, 1.01 pounds
- Binding: Paperback
- 268 pages
From the Back Cover
The Outlaw Legend explores the cultural tradition of outlaw heroes. Remembered and recreated through song, stories and film, this tradition has been remarkably resilient across time and place. Graham Seal shows that these famous 'social bandits' share many characteristics, particularly as helpers of the poor pitched against authority, and are best understood within class, ethnic and national struggles. Graham Seal celebrates the manifestations of the tradition through ballads, songs and stories, many of which are reproduced in the book. He also examines the tradition itself, looking at the relationship between history and folklore and discovering that the tradition is often articulated at moments of social, economic and political stress. He addresses the interesting question of how a cultural tradition develops and endures.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Author's wide ranging and well-thought-out thesis explains how and why some bandits and killers become "heroes"
By Paul Cool
I am giving this book a 5-star ("amazing") rating because I used the author's thesis as the basis for a talk on 19th century Arizona outlaw Curly Bill Brocius. The author explains why a few outlaws rise above their generally thuggish reputations to become legendary figures viewed with favor by a significant share of the public, both at the time and over time.
Very few outlaws in history rise to the status of hero or legend. The most famous, of course, is the mythological Robin Hood. The outlaw of Sherwood sits unchallenged at the top of the outlaw pyramid. In the United States, Jesse James, Billy the Kid, Pretty Boy Floyd, John Dillinger, and Bonnie and Clyde all passed beyond murder and robbery to celebrity status during their historical lives and folklorish afterlives.
Hood's most defining quality is that he robbed from the rich and gave to the poor. The trait is ascribed to virtually every celebrated outlaw since English highwayman Dick Turpin whether or not they ever did any such thing. But there are actually a number of defining qualities that outlaws need to exhibit or be said to exhibit in order to rise above ordinary bad man to the level of cultural hero. Graham Seal, an authority on Outlaw heroes across the globe, has identified ten interacting narrative qualities that define this rare breed: friend of the poor, oppressed, forced into outlawry, brave, generous, courteous, does not indulge in unjustified violence, trickster, betrayed, and lives on after death.
According to Seal, not all ten elements are present in every outlaw hero. Enough will be there to indicate that certain values and attitudes are being invoked. The attributes not only reinforce expectations by the social groups that support and/or sympathize with particular outlaw heroes, they also motivate the outlaw hero to conform, or at least occasionally appear to conform, to the expectations.
Curly Bill possessed or exhibited some of the Seal's ten traits. However, he came up short in others, most notably his penchant for engaging in unjustified violence.
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