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During the 1930s the Work Progress Administration funded the Federal Theater Project to sustain unemployed theatrical workers in New York, Chicago, Los Angeles and other major urban centers, employing over 12,000 people and presenting countless productions. Some of the most popular and memorable of these works, such as the "voodoo" Macbeth and the "swing" Mikado, were produced in the so-called Negro Units, whose story is narrated in this book. Particular focus is given to problems of representation in a community and in an era trying to define what was African American, what was Negro, what was American, what was peculiar, and what was universal in the arts.
- Sales Rank: #3843894 in Books
- Published on: 1996-06-28
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .59" w x 5.98" l, .80 pounds
- Binding: Paperback
- 268 pages
Review
"Fraden's active yet balanced voice makes the work approachable for the casual reader yet her meticulous exploration of cultural and political frictions inside and beyond the project represents a significant contribution to the study of Negro FT making it required reading for any serious scholar of not only the Federal Theatre Project but of the American theatre scene of the 1930's." Theatre Studies, Vol. 41
"This major work is complex and scholarly. A critical and historical analysis of the purpose, plays, audiences and actors of the Federal Theatre of 1935-39, Blueprints for a Black Federal Theatre is compelling....useful to theatre students (and others) because of the rich and copious notes." Glenda E. Gill, Theatre Survey
"Rena Fraden's 'Blueprint for a Black Federal Theatre' will also be a useful textbook for teaching African American theatre history. Fraden has distinguished her work from that of her major forerunners....'Blueprint' substantially enhance[s] our understanding of African American theatre and will enliven classroom discussions with the cogent and timely arguments [it] present[s]." Joni jones, Drama Review
From the Back Cover
Blue Print for a Black Federal Theatre is compelling...Fraden powerfully states that no group in America has been so invidiously represented onstage and so relentlessly prevented from working backstage.
About the Author
Rena Fraden is professor of English at Pomona College in Claremont, California. She is author of "Blueprints for a Black Federal Theater, 1935-1939".
Albert Gelpi is Professor Emeritus of American Literature at Stanford University, California. His previous books include Emily Dickinson: The Mind of the Poet, The Tenth Muse, and A Coherent Splendor. Gelpi has also edited the work of, and written criticism on, a wide range of poets, including Wallace Stevens, Robinson Jeffers, Adrienne Rich, Denise Levertov, Robert Duncan, and William Everson. The Letters of Robert Duncan and Denise Levertov, co-edited with Robert Bertholf, won an award from the MLA as the best scholarly edition of a literary correspondence. Gelpi continues to teach in the Stanford Continuing Studies Program.
Ross Posnock is Anna Garbedian Professor of the Humanities at Columbia University.
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