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Gary Dyer breaks new ground by surveying and interpreting hundreds of satirical poems and prose narratives published in Britain during the Romantic period. These works have been neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Dyer argues that satire continued to be a major and widely-read genre, and that contemporary political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He includes a bibliography of more than 700 volumes containing satirical verses.
- Sales Rank: #5147885 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1997-07-28
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .75" w x 5.98" l, 1.09 pounds
- Binding: Hardcover
- 278 pages
- Used Book in Good Condition
Review
"...Gary Dyer's British Satire and the Politics of Style, 1789-1832 makes a much needed contribution to our sense of the period." Studies in English Literature, 1500-1900
"Dyer's book is an important beginning to a needed reappraisal of Romantic satire. His mapping of the field establishes benchmarks from which future studies will profit." David A. Kent, Romantic Circles Reviews
"...a convincing case for the ongoing importance of Johnson's example as an access to central issues in eighteenth-century studies." Helen Deutsch, Modern Philology
"Every student of the period will fond something to discover in this list, and anyone who has worked along the fringes of the Romantic Canon will appreciate the hard work and scrupulous scholarship it represents." Wordsworth Circle
"British Satire and the Politics of Style is a worthwhile book, a useful introduction to a neglected body of writing...Dyer's is a valuable study...a very welcome contribution." Studies in Romanticism
About the Author
Marilyn Butler (1937 2014) was a prominent scholar in eighteenth-century and Romantic studies, a groundbreaking practitioner and theorist of the historicist criticism of literary texts, and pioneering scholarly editor of hitherto marginalized women writers. Her widely acclaimed publications include Maria Edgeworth: A Literary Biography (1972), Jane Austen and the War of Ideas (1975), Peacock Displayed: A Satirist in his Context (1979), Romantics, Rebels and Reactionaries: English Literature and its Background, 1760 1830 (1981), and seminal scholarly editions of works by Mary Wollstonecraft, Maria Edgeworth, Mary Shelley and Jane Austen. She was King Edward VII Professor of English Literature at the University of Cambridge from 1986 to 1993, and Rector of Exeter College, Oxford, from 1993 to 2004. Mapping Mythologies, finished in 1984, but never hitherto published, is the first volume of a never-completed larger project on literary mythologies between 1730 and 1830.
James Chandler is Director of the Franke Institute of the Humanities at the University of Chicago.
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